It is for organ obbligato (not written out, presumably using Bach’s transcription BWV 1006.2), two violins with oboe colla parte, viola, and continuo. The first one in his 1729 (Leipzig) Wedding Cantata “ Herr Gott, Beherrscher aller Dinge” (Lord God, ruler of all things), BWV 120.2 (previously BWV 120a), as (4.) Sinfonia in D major, opening the second part. The Lautenwerck is a keyboard instrument with plucked strings.īach also re-used the first movement ( Preludio) in a transcription for obbligato organ and orchestra. However, newer research puts that in doubt, claiming that it may rather be for Lautenwerck, for harpsichord, or a generic transcription for an unspecified (keyboard?) instrument. Some postulated that this transcription is for lute (there are indeed recordings of the suite, performed on a lute, see also the CD reference at the bottom). Transcriptionsīach transcribed the entire Partita as Suite in E major, BWV 1006.2 (formerly BWV 1006s). However, you do find some additional information on the Partita No.3 in E major, in the review from, when Isabelle Faust performed a ll Sonatas and Partitas, BWV 1001 – 1006, in two recitals on the same day. I don’t need to give a detailed introduction to these movements, as they are all well-known. It only retains the opening Preludio and the closing Gigue. 3 in E major for Violin Solo, BWV 1006 deviates from that standard. In their original form, baroque suites follow the scheme Allemande - Courante - Sarabande - Gigue. Within the “ Sei Solo“, the three Partitas (or Partias) for Violin Solo formally are baroque suites, i.e., a sequence of traditional dance movements. That summary also features an overall comparison table.Ībout the Partita No. That information includes cover image, title, artists, technical media information (label, label-number, booklet info, barcode, amazon link, where available, plus additional information, as deemed relevant).
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